The sumptuous production of Michael “Elvis” Baskette helps, but it’s Radke’s knack of writing mansion-sized pre-choruses and stadium-sized choruses, like the simply enormous ‘Fuck You And All Your Friends’, that is the focal point of the album: you are never more than a couple of minutes away from a “Woah-oh-oh”, and it’s a gloriously positive album for it. With the opening pairing shifting the goal posts, ‘Loser’ moves things back to more familiar rock territory of ‘The Drug In You Is Me’ type single, but retains a more realised and filled position, drifting out to include strings and swirls. So, Coming Home has ditched the metal, the screams and the breakdowns and doing so has helped FiR to refocus themselves, though Christian Thompson still brings plenty of scorching lead guitar hero moments, fair play.
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